Quiet Please, There’s A Lady on Stage

Karen Mason

There’s a line from the musical “Gypsy” when Mama Rose accuses her daughter Gypsy of trying too hard to sound like an intellectual, telling her “You read book reviews like they were books.”

Like Gypsy, I used to read concert reviews like they were concerts. Though I loved music, I didn’t have the dough to hang out in cabarets and piano bars. Instead, I lived vicariously through Howard Reich, the Chicago Tribune’s long time music critic whose column over the years introduced me to a multitude of musicians and helped nurture my unquenchable taste for Ella Fitzgerald and Sarah Vaughn, and thru him I also found out about a lot of new singers I might never have heard of, like a fresh faced newcomer named Madeleine Peyroux, whose debut CD “Dreamland” I rushed out to buy after reading Reich’s glowing review of her back in 1996.

Another artist Reich adored was a singer named Karen Mason, who got her early start singing in Chicago’s cabaret scene (according to her Wikipedia page, she was once a singing hostess at a place called Lawrence of Oregano!) before graduating to better things. If you’re unfamiliar with this 12 time MAC Award winning vocalist, it’s time to get you up to speed. In addition to being a famed cabaret artist, Ms. Mason’s credits also include starring in several Broadway shows, such as playing Norma Desmond in “Sunset Boulevard”;  she also originated the role of Tanya in “Mama Mia”, and she played Velma Von Tussle in “Hairspray”. Additionally, Karen has appeared on TV in “Law and Order: SVU” and she was in the film version of “A Chorus Line”.

Though I became familiar with her name from reading reviews of her shows at the Park West or at Davenport’s, I never got to see her perform live until she was booked as the entertainment at an AIDS Benefit.

At the time I was hitched to a pharmacist and we attended so many of these events, as his employer Walgreens was a major sponsor and would buy up multiple tables and distribute the tickets to their pharmacists and executives. Over the years of attending these benefits, we got to see a lot of great acts, like the B-52s, Donna Summer, Gloria Gaynor and Koko Taylor among others.

No offense to the pharmacy profession, but pharmacists make for lousy audiences. I remember that one of these events was hosted by Saturday Night Live alum Rob Schneider, who was very pleasant and graciously introduced himself to my group of already over-served seat mates, who kept embarrassingly insisting he do the “making copies” guy from SNL, which he declined.

With the B-52s, these overpaid drunks got a band they knew, so they behaved, but Koko Taylor got no such respect. Neither did Karen Mason.

I was so excited when I found out Mason was performing at one these benefits because I’d read so much about her amazing vocal talent, but had never heard her in person.

Well, the pharmacists weren’t fellow readers of Howard Reich, so most of them had never heard of Karen Mason. Instead of shutting their free wine holes or leaving the room when Karen took the stage, these philistine boozed up bozos proceeded to talk over the music. Now, when they did this to Koko Taylor the year before, the event organizers went around chastising the loud mouths, but no one was coming to Karen’s rescue.

Except me.

I shushed more than a few of those professional pill pushers that night and despite their antics, I still managed to enjoy the vocal prowess of this amazing talent. Whether Karen noticed the talkative bores, she never let on.

When she concluded her set, I felt an impulse to apologize. I spotted her heading to the escalators and followed after her. There she was, a glittering gowned diva all alone riding a hotel escalator. So I sprinted up to her, “I’m so sorry that people were so loud, I really enjoyed your singing,” I told her.

Then I explained that these weren’t music lovers, but just a bunch of drunks who got free tickets and didn’t appreciate great music.

Anyway, Karen Mason is in town at Davenport’s this week and I’m so excited to be going. And if a mother fucker opens their mouth while she’s singing, I’m going to throat punch them.

Here’s some samples of the great Karen Mason, whose new album “Its About Time” is now available. Check her out and witness the perfect example of a great singer who is also a gifted actress.

Karen Mason in Sunset Boulevard

Karen singing “This Nearly Was Mine”

Karen celebrating equal  marriage, “It’s About Time”

One thought on “Quiet Please, There’s A Lady on Stage

  1. Wonderful essay about wonderful Karen Mason! PS OMG on “Lawrence of Oregano!” Wonder if she also sang at the chain’s other venue “Jonathan Livingston Seafood!?”  steven august papa | writing, strategy and leadership with the power of vision

    From: johnsmithchicago To: steven.a.papa@att.net Sent: Thursday, May 18, 2017 10:33 AM Subject: [New post] Quiet Please, There’s A Lady on Stage #yiv8390828810 a:hover {color:red;}#yiv8390828810 a {text-decoration:none;color:#0088cc;}#yiv8390828810 a.yiv8390828810primaryactionlink:link, #yiv8390828810 a.yiv8390828810primaryactionlink:visited {background-color:#2585B2;color:#fff;}#yiv8390828810 a.yiv8390828810primaryactionlink:hover, #yiv8390828810 a.yiv8390828810primaryactionlink:active {background-color:#11729E;color:#fff;}#yiv8390828810 WordPress.com | John Smith posted: “There’s a line from the musical “Gypsy” when Mama Rose accuses her daughter Gypsy of trying to be an intellectual by telling her “You read book reviews like they were books.”Like Gypsy, I used to read concert reviews like they were concerts. Though I lo” | |

Leave a reply to Steven August Papa Cancel reply